The Snake Goddess:
Between Belief and Disbelief
By Wayan Aryati
Hunter
Tegal Tani village, Saturday 28
October 2000
It
was 8:30 P.M. I was having a chat with my grandfather about his experiences
when he was a soldier in the Indonesian army. He had lived through both the
Japanese occupation and the revolutionary struggle against the Dutch. When he
was young, at least one man from each family had to join the army to struggle
to free the country, first from the Japanese, then from the Dutch. My
grandfather was very proud that he had done his duty as a soldier. He told me
that many of the collaborators with the Dutch (antek-antek Belanda) tortured villagers, because the Dutch
themselves never wanted to dirty their hands with such evil work. My
grandfather said that he and his fellow guerrillas had to hide in caves around
the Tabanan area or in the houses of remote villages so that the Dutch forces
couldn’t find them. The village women were safe from any danger, but they had
to pay a price. Some of them were kept busy serving the Dutch soldiers by
preparing their food, cleaning their clothes and the like. It may seem strange,
but others considered themselves lucky to “work” as the mistresses of Dutch
officers. They got special treatment and sometimes a little extra cash that
they could use to help their husbands, who were busy hiding in the hills and
raiding the Dutch! In those days people in the rural villages had a more simple
outlook, so the question of “morality” rarely came up. My own grandmother has
told me many times how proud she was to be the mistress of a Dutch officer, and
how that in turn made it possible for her to help her husband with extra food,
clothing and footwear while he was hiding away from the Dutch.
Grandfather
also talked about his experiences during what villagers call the “Gestok”
movement, taking the name from “Gestapu”, the official acronym for the
so-called “coup” of 30 September 1965. Two men from my village were killed
because they were suspected of being “red”. At that time there were only two
parties you could choose from in our village. You were either for the
nationalist PNI, or “black party” whose sign was a black bull’s head with sharp
horns, or from the communist party, the PKI, the “red party” whose banner was
red and marked with a hammer and sickle.
According to
my grandfather, the villagers didn’t actually know anything at all about
politics. If they voted for PNI, it was because most of their friends voted for
that party. As for the PKI, villagers really only knew it as a name. No one in
the village could actually explain what the PKI was, who was behind it and what
role it played in Indonesian politics. In our village the real reason that one
of man was accused of being a PKI supporter and subsequently killed by the other
men of the village was a question of personal sentiment and desire for revenge.
When I asked my grandfather the real reason for the killing, he told me it was
because of jealousy – both the victim and the man who instigated his murder had
been lovers of the same woman. Another man who was also killed in the events of
1965 was the head of the village. He had recommended to the villagers to split
up in voting. Half of the villagers should vote for the PKI party and the other
half for the PNI. He believed that they would be safe that way. Actually the
villagers liked him a lot and thought his advice was good. However, it turned
out later that anyone who was suspected of being in the PKI was in danger of
losing their life as the army began its campaign to “cleanse” Bali of PKI
influence in December 1965. So it was lucky that the villagers had gone against
his advice and voted as a group for the majority party, the PNI. Unfortunately
people from outside the village were able to use our headman’s good advice as a
pretext to label him a PKI sympathized, so he too lost his life in 1965. Beside
those two victims of the massacre of 1965 there was another man from the nearby
village of Jegu who killed himself inside the Pura Puseh, or “Temple of
Origins”, the dwelling place of the god Wisnu. He committed suicide because he
had also been accused of being a PKI sympathizer, but didn’t want to be killed
by the other men, who would then have his blood on their hands. We had to move
the location of the Pura Puseh because of that, but because of his heroic act
of self-sacrifice there is a shrine in his honor in our village, and his family
still comes to the village during the festival in the Pura Puseh to worship his
soul.
No doubt my grandfather’s stories about the
violent massacre of 1965 made us feel very tense. Suddenly we were startled by
the sound of a woman’s scream coming from our neighbor’s house. Immediately the
village dogs all began barking and howling loudly. The combination of screams
and howling was hair-raising. Some of the villagers were spending their night
in the Pura Batur temple, located about 10 minutes northwest of the village by
motorbike, because a new shrine was being consecrated there. I was terrified,
imagining that perhaps another massacre might be in progress. My four-year old
daughter was asleep in one of the beds on Bale Gede, the central pavilion of
the house-yard, but she wasn’t bothered by the screaming. But my grandfather
rushed out to join the other villagers heading for the place where the screams
had been coming from without even pausing to look at me. I couldn’t go anywhere
because I didn’t want to leave my daughter behind alone. I just waited for the
news about what could possibly be happening at such a late time in the evening.
In a small village like Tegal Tani an event like that could easily be connected
with back magic. Actually I don’t believe in black magic – I’m too much of a
realist – but who knows.
Just
then my mother came in and ordered me to put on a sarong and go down to Ketut’s house next door. Ketut is my youngest
sister who not too long ago had married into our neighbor’s household. She
lives in Kuta with her husband where he works as a cook in a Japanese
restaurant, and they already have a three-year-old son. At the time they had
come home to the village to attend temple festivals in the Pura Kayangan Kangin
and also the Pura Batur. Ketut’s husband is a future priest of Pura Kayangan
Kangin, because his father is the priest there now, and the role is hereditary.
So they had to be home for the festival in the Pura Saren Kangin.
I
rushed down to Ketur’s house right away to find many people there watching my
sister. I couldn’t believe my eyes when I saw Ketut. She was lying on the floor
of the “northern pavilion” (Bale Daja) with her eyes tightly closed and
both hands clasped together above her head as if she was praying. A strange
hissing noise was coming from her mouth, almost as if she were a snake.
I
sat next to her while calling her name, but of course she couldn’t hear me. She
was in a different world. One of the old women told me that I should just stay
calm and not bother her. Ketut kerauhan!
Biarkan saja dulu – “Ketut is in trance - just let it be for now”. Another
woman told me that Ketut had been entered by the spirit of a snake and that’s
why she was making such strange sounds. She was in a deep trance. I decided to
just stay and watch her. Many people, old and young, men and women, came to see
the event. Some of women were busy making offerings asking for the mercy and
forgiveness of the gods, while the men were busy trying to find out what could
be wrong in the niskala, or invisible
world. Other men were just standing around in case they were needed for doing
something to help. All this time the dogs were still barking and howling.
At
that time in Tegal Tani people were busy building a new shrine for the Pura
Batur, a public temple that is associated with an ancient rock that has been a
place of worship since time immemorial. According to our tradition any time we build
something we have to sacrifice a certain animal depending on how elaborate the
shrine is. The purpose of the sacrifice is to make the shrine sacred and be
symbolically accepted by God.[1] The
villagers had already done what they were supposed to do for a new shrine, but
now this strange thing was happening to Ketut, so the elders wanted to try out
what else might be wrong with the rituals or preparation of the new shrine..
Finally they sent off a young man to go to the Pura Batur to talk to Jero
Balian. Jero Balian is a traditional healer who discovered his gifts not too
many years ago and has already helped to heal several people of the village as
well other people from different parts of Bali. He is from Tegal Tani also but
too lives in Kuta where he works as a cook in a hotel. He had come home to the
village for the same purpose as the others, to attend the temple festivals in
the Pura Saren Kangin and Pura Batur.
While
waiting for Jero Balian to arrive, an old man who serves as the priest for
shrine that “guards” the graveyard and burning ground touched Ketut’s head.
With his eyes tightly closed he began to mumble the words of a mantra. Ketut
screamed very loudly, as if protesting the touch of the priest. Her hissing
sounds seemed even stranger to my ears now. People seemed dumbstruck by what
they saw. At the point my mother came in carrying my daughter. When she saw
what was happening she yelled at the priest, “don’t touch her, stay away from
my daughter!” Everyone looked at her hesitantly. She handed me my little
daughter, who right away started asking me many questions about was happening
to her aunt, but I had no idea what to say and couldn’t give her the right
answers. By then the temple priest had moved away from my sister. Then
everyone’s eyes turned in the direction of a motorbike that had arrived
carrying Jero Balian. I felt sorry for the old priest, as I was sure my mother
had humiliated him.
When
Jero Balian arrived from the Pura Batur, Ketut was still laying on the floor
making hissing sound and writhing around like a snake in pain. People moved
away so he could get close to Ketut. He knelt down next to her and held her
hands with his eyes closed. He mumbled some mantras which was sounded very
unfamiliar to my ears. After a while he opened his eyes and asked a few
questions.
“Has
anybody killed a snake today in this compound?”
“Yes”,
replied Ketut’s brother-in-law Pan Gede, “just today I killed a black and white
snake that came in from the street and tried to cross our yard.”
“Where did
you throw the dead body of the snake?” asked Jero Balian.
“Over there
by the edge of the street - I threw it over there. Why?” Pan Gede asked.
Immediately
Jero Balian sprang to his feet and asked for a bright flashlight, He grabbed
Pan Gede’s hand and pulled him to the place where he had thrown the snake. I
couldn’t understand at all the connection between my sister’s trance and a dead
snake, but I didn’t ask any questions. I just waited and watched to see what
would happen next.
The next
thing I knew Jero Balian came in with the dead snake in his hand.
“Can
anybody get a young ivory coconut for me?” he said
A young man
ran out to get a young coconut. While waiting for the coconut, Jero Balian sat
down tailor fashion next to Ketut with his eyes closed, gently massaging the
snake’s body. Of course he continued to chant mantras under his breath.
The
young man then returned with the coconut in hand. “What should I do with it?”
he asked Jero Balian.
“Just give
it to me! Please bring me an offering on a silver tray and a knife too” said
Jero Balian.
Everyone
was watching him in silence. We all wondered what he would do with the things
he’d asked for. Ketut’s mother-in-law came in with a canang offering on a silver offering platter called bokoran, complete with the knife Jero
Balian had asked for. Jero Balian placed the bokoran next to place where Ketut was lying, still in the position
of a snake. Jero Balian cut the top of the coconut open and very gently slid
the dead snake inside the coconut milk inside. He recited more mantras, then
took out the snake’s body and asked, “how did you kill the snake?”
“Using a
stick,” replied Pan Gede.
“Did you
break the snake?” Jero Balian asked.
“Yes, into
three pieces,” replied Pan Gede.
Jero
Balian massaged the snake’s body, trying to set the broken bones and then slid
it back into the coconut milk. He left it there for a while. Not long after
that he removed the snake from the coconut. I couldn’t believe my eyes. As far
as anyone could tell the snake was alive again. Jero Balian sprinkled some of
the coconut milk on my sister. Suddenly she woke up and began asking questions.
“Where is my son? What’s happened here? Why are there so many people?” She ran
to her son who all this time had been in his father’s arms.
Jero
Balian was still busy with the snake. After saying more mantras he released the
snake into the bushes behind the house that is located on the hill above the
Pura Kayangan Kangin making sure that its release was accompanied with certain
offering. Things got calmer now and the villagers all went back to their homes.
Ketut was now back in our human world and went to bed with her little son. The
snake had gotten its life back too. I went home with my little daughter and
went to bed, but I couldn’t shut my eyes because in my rational mind I still
couldn’t accept what has just happened.
It
was midnight when another scream came from our neighbor’s house. This time it
was the scream of an old woman who had been entered by the spirit of the snake
because it couldn’t find its way back to the temple. Even though in a deep
trance she had reached the cement steps of the Pura Desa, or “Temple of the
Village”. She was very upset with the
cement steps of the Pura Desa - she kept crying and struggling to climb the
cement steps, but couldn’t do it.
“I can’t
find my way home, where is the tree that was the land mark in the past?” she
asked people angrily.
A young man
went into the bushes nearby to get a sapling from an awar-awar tree that people felt might be from the tree the old
woman – or perhaps the snake’s spirit – was demanding. After the young man came
in with a branch of the tree, her grandson smashed away a portion of the cement
steps of the temple so he could put the branch of the tree there. This would be
a symbol of the tree that would be the landmark for the snake to find its way
home to its old place of holy origin. Even now if you go to Tegal Tani you can
see the broken steps of the temple, which to this day have not yet been
repaired.
It
was Jero Balian again who came in with holy water and sprinkled it on the old
woman so that she could be freed from the spirit of the snake and come back
into the real world.
I
didn’t know how to feel at that time, and I still don’t. There it was, right in
front of my eyes, but it seemed impossible. How could a being of the invisible
realm (niskala) transform itself into
the visible (sekala) world by
entering someone’s body? Who can explain it logically? Or deny that it can
happen?
Note: the image of the snake goddess I used above is from the Google image.
[1] You
originally used the verb “was” and in terms of the narrative that is correct.
However, when we refer in a narrative to something that is done in general
(like always sacrificing something for a laspas) then we revert to the present
tense to describe that “generic” event.